ø135mm / h50mm

Made in porcelain and earthenware with a clear glazed interior.

All pieces are thrown on the wheel and then carefully refined by hand. Signed underneath in metallic oxide.

ø175mm h70mm

Made in a blend of porcelain and earthenware clays with a gloss interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

ø190mm h70mm

Made in white, slightly textured clay with a gloss interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

ø170mm, ø100mm

Made in slightly textured, white clay with a gloss interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

h220mm

Bottle made in an blend of porcelain and stoneware clays with a clear glazed interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

h280mm

Tall bottle made in a blend of porcelain and stoneware clays with a clear glazed interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

h280mm

Tall vessel made in a blend of porcelain and stoneware clays and with a clear glazed interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

h250mm

Tall bottle made in a blend of porcelain and stoneware clays and with a clear glazed interior.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

ø135mm / ø100mm

Pair of wide bowls made in a blend of porcelain and blue pigment.

All pieces are thrown on the wheel and then carefully refined by hand. Signed underneath in metallic oxide.

h160mm

Made in porcelain and stoneware.

All pieces are thrown on the wheel and then carefully refined by hand. Signed underneath in metallic oxide.

h145mm

Made in porcelain and terracotta.

All pieces are thrown on the wheel and then carefully refined by hand. Signed underneath in metallic oxide.

ø80mm ø120mm

A pair of pieces made in two blends of porcelain and earthenware clays.

All pieces are thrown on the wheel and trimmed by hand. Signed underneath in metallic oxide.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

Contact:

studio@lukeeastop.co.uk

11am–6pm

This is a full-day masterclass held at my studio in Margate, UK.

Over the course of the day, you will learn about the material qualities of clay bodies and explore the principles of blending different clay types.

By the end of the class you will have created a series of test pieces covering tone, texture and handling characteristics, ready to take and use as reference for your own practice.

The class is one-on-one so will cater for a range of levels of experience and along the way there’ll be time to talk clay and discuss techniques and approaches to all aspects of creating studio pottery.

Equipment, materials and lunch will be provided and firing can be arranged for work made during the day.

420mm x 297mm
Signed and Numbered Recto
Risograph Print

Uncoated, recycled stock

Edition of 25 plus 2 Artist's Proofs

Unframed

Crucible is a modular series based on a simple form; a round-bottomed cylinder, which can be resized for different functions. This drawing shows the key modification to an otherwise very basic shape; the circle that defines the curved underside is slightly offset above the centre point of the vessel, giving it lightness and lift.

These drawings are not designs as such, but an attempt to understand and consolidate 12 months of work throwing pots at the wheel, to identify a set of geometric rules and mechanisms which describe the refined forms and provide a framework for future exploration.

They are printed on a naturally off-white/grey paper with occasional flecks, and are designed to be framed against brilliant white to accentuate these qualities. If you would like to use my framing specifications, please get in touch.

420mm x 297mm
Signed and Numbered Recto
Risograph Print

Uncoated, recycled stock

Edition of 25 plus 2 Artist's Proofs

Unframed

Arc is a series of footed bowls with flowing, continuous profiles, which unfurl, becoming shallower and wider, as they increase in size. The curves are defined as part of the intersection of two circles, which can be repositioned to create the profiles for a range of vessels.

These drawings are not designs for pots as such, but an attempt to understand and consolidate 12 months of work throwing pots at the wheel, to identify a set of geometric rules and mechanisms which describe the refined forms and provide a framework for future exploration.

They are printed on a naturally off-white/grey paper with occasional flecks, and are designed to be framed against brilliant white to accentuate these qualities. If you would like to use my framing specifications, please get in touch.

420mm x 297mm
Signed and Numbered Recto
Risograph Print

Uncoated, recycled stock

Edition of 25 plus 2 Artist's Proofs

Unframed

Crucible is a modular series based on a simple form; a round-bottomed cylinder, which can be resized for different functions. This drawing shows the key modification to an otherwise very basic shape; the circle that defines the curved underside is slightly offset above the centre point of the vessel, giving it lightness and lift.

These drawings are not designs as such, but an attempt to understand and consolidate 12 months of work throwing pots at the wheel, to identify a set of geometric rules and mechanisms which describe the refined forms and provide a framework for future exploration.

They are printed on a naturally off-white/grey paper with occasional flecks, and are designed to be framed against brilliant white to accentuate these qualities. If you would like to use my framing specifications, please get in touch.

420mm x 297mm
Signed and Numbered Recto
Risograph Print

Uncoated, recycled stock

Edition of 25 plus 2 Artist's Proofs

Unframed

Arc is a series of footed bowls with flowing, continuous profiles, which unfurl, becoming shallower and wider, as they increase in size. The curves are defined as part of the intersection of two circles, which can be repositioned to create the profiles for a range of vessels.

These drawings are not designs for pots as such, but an attempt to understand and consolidate 12 months of work throwing pots at the wheel, to identify a set of geometric rules and mechanisms which describe the refined forms and provide a framework for future exploration.

They are printed on a naturally off-white/grey paper with occasional flecks, and are designed to be framed against brilliant white to accentuate these qualities. If you would like to use my framing specifications, please get in touch.